故事改编自导演同名有声书,天堂聚焦一对无法理解彼此价值观的母子,天堂讲述高中生齐格在他卧室里为崇拜他的网络粉丝表演民谣摇滚歌曲,这种观念让他的母亲伊芙琳感到困惑,因母亲经营着一家家庭暴力幸存者收容所。齐格想让他的音乐少些简单随意、多些政治色彩,以便给热衷于社交的同学莱拉留下好印象。同时,伊芙琳遇见了收容所中寻求庇护的安琪和她十几岁的儿子凯尔,通过观察这对母子,她发现了自己与齐格之间缺少心灵纽带,于是伊芙琳决定违背直觉,将凯尔视为己出。
故事改编自导演同名有声书,天堂聚焦一对无法理解彼此价值观的母子,天堂讲述高中生齐格在他卧室里为崇拜他的网络粉丝表演民谣摇滚歌曲,这种观念让他的母亲伊芙琳感到困惑,因母亲经营着一家家庭暴力幸存者收容所。齐格想让他的音乐少些简单随意、多些政治色彩,以便给热衷于社交的同学莱拉留下好印象。同时,伊芙琳遇见了收容所中寻求庇护的安琪和她十几岁的儿子凯尔,通过观察这对母子,她发现了自己与齐格之间缺少心灵纽带,于是伊芙琳决定违背直觉,将凯尔视为己出。
回复 :这部纪录片对希特勒掌权时期失去的自由进行了探讨,讲述 20 世纪 20 年代柏林一家光鲜亮丽的夜总会如何成为了酷儿群体的避风港。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :27岁的编剧阿美(金敏熙 饰)花了一年时间终于完成了自己剧本,幸运的是,她还没有变疯,不过头痛、心烧、缺少睡眠以及肩膀僵硬几乎让她也濒临崩溃。生日当天,男友的礼物让他感觉有些窝心,可是晚上居然被姐姐和外甥女糗了一通,姐姐最后告诉她生日有什么了不起,每年都会过。和自己已经谈婚论嫁的男朋友居然有了外遇,自己参加相亲意外结识头发三七分的帅哥成元(金成洙 饰),面对同时存在的两个男人,阿美陷入两难的境地;事业成功的姐姐英美(李美淑 饰)独自抚养女儿长大,年过40的她居然和自己的年轻下属由一夜情发展到关系暧昧,而“绝经”的生理现象则预示着她已经进入更年期。面对下属的大胆热情,已经不再年轻的她不知如何对待;高三女生姜爱(安昭熙 饰)正处于青春叛逆期,内心萌动的欲望和对于爱情的幻想让她陷入了苦闷,在好友美兰的鼓励下,她决定拿出勇气……