伊莉斯不喜欢过圣诞节,国产她从小在圣诞树农场长大,国产这意味着每次节日她都是在忙工作。今年的这个时候,她失去了工作,她很不情愿的同意帮助家人在市内售卖圣诞树,而且表明这是最后一次。英俊富有魅力的达伦多次来购买圣诞树,他暗恋着伊莉斯,这让伊莉斯甚至有点感觉到圣诞节的魅力。然而,一家市内大财团不喜欢他们在那里售卖圣诞树,他们试图说服政府部门来驱逐掉他们。伊莉斯必须想方设法保住售卖摊位,在节日继续供应圣诞树。
伊莉斯不喜欢过圣诞节,国产她从小在圣诞树农场长大,国产这意味着每次节日她都是在忙工作。今年的这个时候,她失去了工作,她很不情愿的同意帮助家人在市内售卖圣诞树,而且表明这是最后一次。英俊富有魅力的达伦多次来购买圣诞树,他暗恋着伊莉斯,这让伊莉斯甚至有点感觉到圣诞节的魅力。然而,一家市内大财团不喜欢他们在那里售卖圣诞树,他们试图说服政府部门来驱逐掉他们。伊莉斯必须想方设法保住售卖摊位,在节日继续供应圣诞树。
回复 :改编自香网女频超级神作《天才小毒妃》
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
回复 :Vital, 40 ans, travaille comme chef d’atelier dans une usine textile. Il est choisi comme « cobaye » par Alix, 25 ans, venue réaliser une étude ergonomique dans l’entreprise de son père sous couvert d’anonymat. La fille du patron est rapidement sous le charme de cet ouvrier réservé et secret qui s’ouvre peu à peu à son contact et se met à rêver d’une autre vie…