剧情简介
四骑士重新聚首，吧春借一场大秀意图揭穿一位科技大亨的不义之举，吧春不料行动失败。同时，他们背后的支持者迪伦（马克·鲁法洛饰）自己也深陷危机。幕后黑手正是科学奇才沃尔特（丹尼尔·雷德克里夫饰），他胁迫四骑士去完成一次不可能的偷盗任务。四骑士只剩最后的希望，他们必须上演一场前所未有的魔术秀来为自己正名，揭穿背后主谋。
吧春暖花开情深处
四骑士重新聚首，吧春借一场大秀意图揭穿一位科技大亨的不义之举，吧春不料行动失败。同时，他们背后的支持者迪伦（马克·鲁法洛饰）自己也深陷危机。幕后黑手正是科学奇才沃尔特（丹尼尔·雷德克里夫饰），他胁迫四骑士去完成一次不可能的偷盗任务。四骑士只剩最后的希望，他们必须上演一场前所未有的魔术秀来为自己正名，揭穿背后主谋。
柳飞
回复 :亚历克斯、大卫和朱丽叶三个好友合住在一户公寓内，三人征集新房客时问出各种怪异问题，玩的不亦乐乎，最后在朱丽叶主张下，吸纳了写作的单身男子雨果，岂料雨果入住不久就身亡在屋内，惊慌的三人发现了雨果装有巨额现金的箱子，金钱诱惑难以抵御，他们悄悄将雨果分尸掩埋巨款在手的亚历克斯和朱丽叶春风得意，但会计员大卫却终日忧心忡忡，终于大卫在二人挥霍钱财后暴发，将钱箱搬到阁楼收藏看管。与此同时，两名匪徒为了寻找钱箱，一路大开杀戒，并闯入了三人的公寓，大卫突然发力将匪徒杀死，此时的大卫，已经愈发神经质，将事情引向了更加危险的方向。
回复 :The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother's loneliness.
曹芙嘉
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
