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回复 :东秀和善是在日本留学时认识的，最后他们选择了结婚，然后回到韩国度蜜月。但在短暂而甜蜜的蜜月之后，东洙遭遇了一场肇事逃逸的车祸。最后，他被诊断出患有下半身残疾。对自己的处境感到悲观的东秀每天都在酒精的影响下生活。当你不得不享受一个快乐的蜜月时，你的生活就会很艰难。善和慢慢地找到了一份可以解决生活的工作，善的心被卡拉OK社长振英所牵连。最终，善和振英陷入了另一段恋情。
回复 :一则动人的母女剧作。丽塔是一位13岁女孩的母亲，总是排除万难希望给她儿女最好的生活。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
