導演陳家蓀拍過極受歡迎的音樂喜劇電視節目,于姫他第一部電影《摩登土佬》,于姫是引證香港電影進入現代化的重要作品,找來初登銀幕的林子祥主演、台灣女歌手齊豫客串。故事講述青年貝小芬(林子祥)暑假無聊,與好友漢堡飽(麥德羅)四處求職,結果被廣告公司史蓮娜(井莉)看中,邀拍廣告,本來是個大展才華的好機會,豈料得罪惡人「鋼牙」,拍攝打鬥場面時,借機毒打他……劇情左拼右湊,笑料連場。導演以廣告手法拍攝歌舞場面,從美術到音樂,皆令人耳目一新。
導演陳家蓀拍過極受歡迎的音樂喜劇電視節目,于姫他第一部電影《摩登土佬》,于姫是引證香港電影進入現代化的重要作品,找來初登銀幕的林子祥主演、台灣女歌手齊豫客串。故事講述青年貝小芬(林子祥)暑假無聊,與好友漢堡飽(麥德羅)四處求職,結果被廣告公司史蓮娜(井莉)看中,邀拍廣告,本來是個大展才華的好機會,豈料得罪惡人「鋼牙」,拍攝打鬥場面時,借機毒打他……劇情左拼右湊,笑料連場。導演以廣告手法拍攝歌舞場面,從美術到音樂,皆令人耳目一新。
回复 :乔尼(加里·格兰特 Cary Grant 饰)在一次偶然中邂逅了名为朱莉(多蕊丝·诺兰 Doris Nolan 饰)的女孩,两人坠入了情网之中。之后,乔尼才知道,朱莉是大名鼎鼎的银行家桑德先生(亨利·科尔克尔 Henry Kolker 饰)。桑德先生对于乔尼这个一穷二白的臭小子充满了戒心,极力反对他和女儿之间的感情,相反的是,朱莉的姐姐琳达(凯瑟琳·赫本 Katharine Hepburn 饰)和哥哥奈德(刘·艾尔斯 Lew Ayres 饰)都非常中意老实巴交的乔尼。在兄妹三人的合力劝说之下,桑德先生最终缴械投降,不仅如此,他还在自己的银行里给女婿谋了一个好差事,可是,银行里的日子让乔尼感到十分窒息,他希望朱莉能够离开父亲的庇护,去和自己过平凡的日子。面对乔尼的请求,朱莉犹豫了。
回复 :这部拍摄精美的科幻电影把我们带到机器人已经普及、并且已经开始拥有个性和感受的未来世界。两个主人公Henry和Jack是曾经的好朋友,现在他们在职业生涯和私人生活中都成为了对手。Henry冷酷、果断、精明,Jack却比较弱势和感性。因为孤独,Jack迷上了酒精。为了拯救他的主人,Jack的家庭机器人设计了一个危险场景,使Jack和Henry都不得不通过合作来挽救他们的生命和灵魂。这个悬疑的故事以机器人的视点讲述,由三个主人公魅惑而艺术的表演来强化故事情节。
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.