警探本•卡森（Kiefer Sutherland 基弗•萨瑟兰 饰）因枪杀同事被迫从纽约警察局提前退休，视频他的婚姻也随之破裂。落魄的本暂住在妹妹安琪（Amy Smart 饰）的公寓里，视频终日借酒浇愁。一段时间沉沦过后，本重抖精神，找到了一份保安的工作。他所供职的五月花购物商场五年前曾被大火毁于一旦，令他倍感奇怪的是，在这座焦黑的建筑物中，那一面面镜子却格外明亮。数日后，本在商场的镜子上发现奇怪的手印，而次日亦在妹妹家的镜子上见到恐怖的景象。接下来的日子里，恐怖事件接连发生……
宋岳庭
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
陈瑞
回复 :五个人突然醒来，他们发现自己在一艘外星人的母船上。他们发现自己的情感波动会影响到这艘船的动力。他们意识到原来外星人已经绑架人类的历史已经数百年之久了。他们决定秘密脱困，并和外界的美军士兵取得联系逃出生天。
回复 :美国中西部某个小镇，玩偶制作师塞缪尔·穆林斯（安东尼·拉帕格利亚 Anthony LaPaglia 饰）和妻子埃丝特·穆林斯（米兰达·奥图 Miranda Otto 饰）女儿安娜贝尔（萨马拉·李 Samara Lee 饰）过着幸福无忧的生活，然而突如其来的车祸夺走了安娜贝尔的生命，穆林斯一家的生活从此陷入黑暗之中。12年后，一辆老旧的大巴拉来了修女夏洛特（斯黛芬妮·西格曼 Stephanie Sigman 饰）及其收养的孩子，从此之后，穆林斯的房子便成为了她们暂时落脚的新的孤儿院。此时的塞缪尔面色阴郁，他引领孩子们参观这座房子，却独独禁止女孩们步入安娜贝尔的房间。好奇心颇重的琳达和珍妮丝没有听从塞缪尔的话，她们由此打开了恐怖的大门……
