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地区:日本
  类型:港剧
  时间:2025-08-30 05:38:32
剧情简介

明朝无锡县县令之女王怜娟是个聪明、国产美丽的姑娘,国产因生母早亡,继母心肠歹毒,她终日闷闷不乐。贴身丫环小玲对她体贴入微,两人情同姐妹。这一天夜晚,怜娟在后花园焚香抚琴,抒发愁怀。浮浪成性的纨绔子弟、苏州知府之子张青云从墙外经过,偷听到王小姐在里面弹琴,翻墙潜入花园。他见怜娟生得如此美貌,顿生爱心,怜娟与张公子相识后,一颗缺少温暖的心也得到了不少安慰。于是他们常常在夜晚的后花园幽会。苏州知府为了攀附当朝一品天官,千方百计地为儿子和天官之女蒋素琴订了终身。他写信给正在无锡读书的儿子张青云,谎称自己病重,令其速归。青云接信后,当天夜晚又来以后花园向怜娟告别。面对依依不舍的王小姐,他发誓回苏州后一定禀明父母,早日前来迎娶。善良的怜娟出于对他的真情,在这一晚许身于他。万万没有想到,这位张公子一去几个月没有回音,不幸怜娟已经怀孕。这件事被父母得知后,先是迁怒于丫环小玲,将其逐出府门。继母又调唆县令逼迫女儿投湖自尽。怜娟在绝望中遵从父命,跳进湖中,巧遇一个打鱼的老妈妈相救。老人对姑娘的悲惨经历深表同情,决定陪同姑娘一起去苏州寻访张公子。路上又与丫环小玲相遇,主仆二人沿途乞讨,好不容易来到苏州城。她们住在小店里度日如年,但等待她们的不是和张公子团聚如初,而是变了心的情人设下的阴谋。张青云不仅不念旧情,而且为了陷瞒真相,先是指使人割下了小玲的舌头,继而又买通药房要毒死怜娟。张青云贤惠明理的夫人蒋素琴早已对丈夫的放荡深为不满,得知此事后,极力劝阻。怜娟虽然幸免其害,但在巨大的打击之下,已失去了生活下去的勇气。在孤苦无望的境遇中她生下一子后更是病弱不堪。秉公执法的天官不循私情,亲手将女婿张青云判为死刑。就在张公子被押赴刑场的同时,王怜娟也在贫病交加中悲愤地离开了人世,善良的蒋素琴收留了她的遗孤。

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明星主演
小宝
薛忠铭
桃丽芭顿
最新评论(575+)

卓在勋

发表于1分钟前

回复 :雅克·梅斯林是70年代末期法国著名的大盗,曾犯下多起持械抢劫和杀人案,也是有名的越狱犯。他善于伪装自己,曾以不同的面貌混迹人群,人称“千面大盗”。他在18个月的血腥逃亡之后,1979年11月2日在巴黎克利尼扬古尔门(PORTE DE CLIGNANCOURT)被特警队击毙。本片叙述梅斯林早期的经历,从1959年阿尔及利亚战争开始,当时梅斯林在战场上服役,这段经历标志了他“天真时期的结束”,使他成为一个“无政府主义者和对现状不满的人”。影片的下集《头号公敌》(MESRINE:L’ENNEMI PUBLIC No.1)将于11月19日上映。限制级。


陈译贤

发表于9分钟前

回复 :Spiraling out after a bad breakup, Wes ends up at a remote rest stop miles away from civilization. His situation worsens after he finds himself locked inside the bathroom with a mysterious figure speaking to him from an adjacent stall. As Wes tries to escape, he realizes he is an unwilling player in a situation bigger and more terrible than he could possibly imagine.


白松

发表于9分钟前

回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.


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