网络小说家景燃最近经常被一个梦境困扰，麻宫梦中的他常常被一个恐怖的洋娃娃袭击，麻宫而每到危机关头，总会有一个胸口有胎记的男人来救他。反反复复的梦境，无休止的梦中梦，让他精神崩溃。在催眠师的引导下，他进入了梦中，准备寻找他想得到的答案，恐怖的洋娃娃，红衣的女鬼，神秘的外国法师，黑 暗一直带着他和梦中人沈淮一步步走向更恐怖的黑洞……电影《灵媒师之怖偶》是电影《灵界基友》系列的第三季，该系列每季单独成立一个小故事，不同的主角，不同的主演，相较于第二季和第一季，第三季男主和男主的感情线比例会降低。
回复 :在黑帮争斗上失败了的山本（北野武饰），走投无路只能去找远在美国洛杉矶的弟弟阿键（真木藏人饰）。在言语不通的陌生城市里，山本找到了弟弟，但他已经成了不务正业的毒品贩子。必然地，他们卷入黑帮仇杀、势力争斗当中，山本凭着心狠手辣，冷静果断，再身边有忠诚的手下加藤（寺岛进饰）以及黑人丹尼（欧玛?艾普斯饰），剿灭墨西哥贩毒党，不断壮大自己的地盘，四处挑战其他帮会，还拉拢一大黑帮头领白濑（加藤雅也饰）的甘心加盟。但是黑手党已经将目标瞄准了他们，一场血雨腥风的恶斗在所难免。
回复 :未来某时，一种丑陋凶恶、仿佛来自地狱的怪物肆虐人间，大肆屠杀人类。某小镇在怪物的荼毒下宛如一座死城，生存者战战兢兢，惶恐度日。由凯文（Ben Budd 本•巴德 饰）率领的特种小分队进驻小镇，保护幸存者，与怪物展开对抗。凯文发现，被怪物咬过的人类会受到感染，化身力大无穷的凶残异体。而怪物也在某个神秘领导者的带领下有秩序地对人类进行围捕。为了击退穷凶极恶的魔鬼，凯文找到一本古老的书籍，在其中寻找制敌的良策……根据美国同名电玩游戏改编。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
