剧情简介
老杨曾是财富激荡时代的乍富阶层，安妮如今已破产多年，安妮赋闲在家。某日他挪用老婆的救命手术费让子女们忍无可忍，一出儿子绑架老子的荒诞闹剧上演，老杨怒其不念养育之恩，毅然把不孝子告上法庭……这出现代家庭闹剧终以悲剧收场。
安妮·霍尔国语
老杨曾是财富激荡时代的乍富阶层，安妮如今已破产多年，安妮赋闲在家。某日他挪用老婆的救命手术费让子女们忍无可忍，一出儿子绑架老子的荒诞闹剧上演，老杨怒其不念养育之恩，毅然把不孝子告上法庭……这出现代家庭闹剧终以悲剧收场。
林玉英
回复 :Father Brown tries to transport a historically important cross to Rome engaging in battles of wits and faith with a thief and pursuing policeman. The thief, named Flambeau (Finch), is a master of disguise and is elusive, as Father Brown pursues him and tries to convince him to abandon his criminal career.During the making of the film, Alec Guinness was mistaken by a small boy for an actual priest. This episode appears to have played a part in Guinness's later conversion to Roman Catholicism.
回复 :导 演:郑真编 剧:某小丫主 演:王晓、宫正楠、冯静、马强片 种:故事片类 型:剧情、爱情、情感伦理出品单位:北京元之真影视文化发展有限公司长 度:87分钟出品年代:2010剧情简介生性浪漫，讲究小资情调的苏叶与忠厚善良但是小气的丈夫万伟的婚姻生活一直琴瑟和谐，但是在婚后的第七年却因为生活中的一些问题而遭遇了最大的感情危机。一日，苏叶看中一件大衣，想让万伟买下送给她，但万伟却不舍得花钱，为安抚生气的苏叶转而买了低价的仿版大衣送给她，却不意苏叶在同学聚会上与身穿原版大衣的同学许晴撞衫。苏叶对此感到十分尴尬与羞耻，并对万伟的撒谎与小气十分感到失望和愤怒.....
恩雅
回复 :SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
