健美班女教练阿芝（梅艳芳 饰）和隔壁的私人侦探阿佐（万梓良 饰）是一对欢喜冤家，单身毒妈第两人一见面便口角不断，单身毒妈第笑话连连。某天，四个劫匪抢劫了富商曹先生的名贵钻石，逃亡途中阴差阳错将钻石掉到了阿芝那里。一无所知的阿芝随后遭到劫匪们的追杀，最终被绑架而去。渐渐喜欢上阿芝的阿佐眼看心上之人身陷虎口，懊恼不已。幸亏其助手IQ博士送给阿芝的防狼器中藏有跟踪器，二人一路追踪到劫匪的藏匿窝点。却不知，阿芝几经周折已脱身而出。但穷凶极恶的劫匪怎肯罢休，誓要得到钻石为止，而他们的背后似乎又有个黑手暗中操控……
回复 :伊斯麦（路易斯·加瑞尔 Louis Garrel 饰）和茱莉（露迪芬·莎妮 Ludivine Sagnier 饰）是一对产生裂痕的情侣，因此异想天开找来伊斯麦同事爱丽丝（克劳迪德·埃斯曼 Clotilde Hesme 饰）加入他们，试图用三人行为爱情增加激情。但三个人的爱情，终究只是烦恼的叠加，一场争吵之后，茱莉突发心脏急病倒在酒吧。如今剩下伊斯麦和爱丽丝的二人世界，可是愧疚和想念令伊斯麦无福消受，茱莉的家人也开始以“关怀”的姿态进入伊斯麦的生活，尤其是其姐珍娜（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰）近乎骚扰地出现在他家里，令他快要发疯。为了逃避一切，伊斯麦躲到好友家，却又引来好友弟弟伊旺（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）的热烈追求……巴黎的雨总是不停息，正如伤心的男人永远走不出一段已死情感的阴影……
回复 :生性高傲的Sky（郑伊健 饰）仗着母亲与继父的不俗地位到处闯祸。一直以来他都热爱赛车。在他眼里就只有自己的女友阿希（林熙蕾 饰）和两位好友趴地熊（谭耀文 饰）、谢贤（林晓峰 饰）。Sky与丧偈（陈豪 饰）结怨，丧偈的哥哥（任达华 饰）是一代车神，来挑战Sky，比赛中不堪落后的Sky失手翻车，女友当场死去。Sky强忍失去爱人的痛楚，逃到外地躲过仇人的追杀，到泰国寻找自己的亲生父亲（柯受良 饰），当年父亲车神的风采不再，令他相当失望。幸得一直暗恋他的凉子（张栢芝 饰）在旁鼓励照顾，但趴地熊的死去，彻底让他改变了。
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
