剧情简介
一个醉心枪械的年轻人欲投考警察，秋霞因有眼疾未被录取，秋霞造成心理不平衡而四处杀人。警方成立特别组缉捕他，一个初出茅庐的警察与凶手狭路相逢......
秋霞院韩线福利
一个醉心枪械的年轻人欲投考警察，秋霞因有眼疾未被录取，秋霞造成心理不平衡而四处杀人。警方成立特别组缉捕他，一个初出茅庐的警察与凶手狭路相逢......
回复 :新皇登基，朝局不稳，边关将领韩忠携子韩超回朝维稳。恰逢此时，手握边关兵符的六王爷惨死，为防止兵符出城，皇上下令封闭城门三日。同时为安民心，亲派韩超等人查获六王府命案，以三日时间为限。随着案件的深入调查，一桩17年前的惨案浮出水面，“红衣诡影”传闻响彻京城。凶手真实身份扑簌迷离，案件越发诡秘离奇...
王冠
回复 :电影《新青春之 歌》说的是一位爱好舞蹈艺术的女大 学生冬青去鹦哥岭找男朋友王钊，当 她来到鹦哥岭后，被鹦哥岭美丽迷人 的风光所吸引，男友王钊和27名大学 生坚守、保护森林的精神深深感动了 她，她最后编导出大型音乐舞剧《新 青春之歌》的故事。
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
