剧情简介
春暖After a criminal motorcycle rider is put to death, he comes back from the dead to seek murderous revenge against the residents of a Florida town.
春暖花开亚洲论坛
春暖After a criminal motorcycle rider is put to death, he comes back from the dead to seek murderous revenge against the residents of a Florida town.
回复 :传说中黑暗的主宰魔鬼的统治者，无时无刻在觊觎著人类的世界。格林和泰里是两个活泼的小孩，一天他们在家中的后院挖土，无意间挖到了一个直通地心的无底深洞，他们的恶梦便从此开始，晚上无数的精灵及鬼怪，纷纷从地洞中爬出……
回复 :《怪屋》是一部BBC.Ch4拍摄的超自然题材迷你剧，由名编剧马克·加蒂斯操刀制作。剧情概要：历史教师Ben（李·恩格里比 饰）在他的花园里发现一个形状怪异的门环，并将其带给博物馆馆长（编剧 马克·加蒂斯 饰）。经馆长鉴定，这是现已不复存在的基普庄园前门上的门环。历史上，基普庄园与巫术有着千丝万缕的联系。而其建造者始终未能育有子嗣与后几任所有者都离奇地惨遭不幸的故事给予这座庄园以诡秘而邪恶的名声……这里到底曾发生过怎样的故事？而这个门环又将给本Ben带来怎样的命运呢？
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
