忠贞测试者
地区:日韩
  类型:教育
  时间:2025-07-17 00:04:11
剧情简介

季宁的表弟豆豆突然在老家拆迁前到访季家。豆豆几年前丧母,忠贞父亲不知所踪。豆豆住在季家时,忠贞季宁发现豆豆每夜都要与已故的姨妈通电话。恐惧之余,季家回老家处理拆迁事宜,在老宅发现了更加恐怖的事情……

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明星主演
尼尔岱尔蒙德
黎晶
奥田民生
最新评论(465+)

广智

发表于6分钟前

回复 :在三十年后的今天,我依然对母亲难以忘怀。故乡冲永良部岛的美丽风景令人眷恋,回到这里,过去的一切又开始复苏——我们一家人离开贫瘠的鹿儿岛来到了这里,当时母亲三十岁,我是小学两年级学生。在这个岛上,祖父、母亲和我三人开始了贫穷而温暖的生活。每天我放学回家,母亲总是笑着迎接我。我非常渴望母亲的拥抱。然而母亲因为怕把自己身上的病传染给我,所以从来不碰我。当台风到来的时候,大海咆哮,岛上没了粮食,家里连灯油也买不起,只能在黑暗中静静入眠。在一年一度的敬老宴上,岛上的村民们惠尽情喝酒跳舞直到天明。母亲的舞姿在篝火的映衬下,显得格外美丽。然而有一天,母亲突然过世离我而去……


周治平

发表于2分钟前

回复 :由杜拉斯和影星热拉尔·德帕迪约扮演的两个角色坐在门窗紧闭的房间里,杜拉斯讲述着一部电影,电影里的女人搭上一辆卡车,与司机滔滔不绝地聊了一个小时二十分钟。谈话不时切换到卡车绕着巴黎行驶和停下来让女人搭顺风车的镜头。德帕迪约就是卡车司机,杜拉斯就是搭车的女人。对一部潜在电影的口头描述和电影可能形成的图像两者并置起来。


玉置成实

发表于7分钟前

回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.


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