剧情简介
黄泉八百里沙海，寂寞荒凉，无花无叶。少女三七作为这黄泉中的最后一任孟婆，被冥王阿茶指婚给鬼差赵吏。三七性格憨傻，样貌枯槁，情窦未开，遭到了赵吏的拒绝。她日日独守在空旷的土堡内，熬着苦涩的孟婆汤，只与一株将死未死的曼珠沙华相伴。直到那一日，一个名叫长生的少年，误打误撞闯进了孟婆庄……
母与子1997
黄泉八百里沙海，寂寞荒凉，无花无叶。少女三七作为这黄泉中的最后一任孟婆，被冥王阿茶指婚给鬼差赵吏。三七性格憨傻，样貌枯槁，情窦未开，遭到了赵吏的拒绝。她日日独守在空旷的土堡内，熬着苦涩的孟婆汤，只与一株将死未死的曼珠沙华相伴。直到那一日，一个名叫长生的少年，误打误撞闯进了孟婆庄……
回复 :故事开始于罗马城内的一起凶杀案。一名妓女在台伯河边的公园中遇害，几名案发当夜出现在现场的相关人员被警方一一盘问：身无分文的年青人坎提声称最近在找工作，然而事实是他同两名同伴在公园中伺机偷窃恋人们的物品；惯犯布斯德利久未与警方打交道，他在案发当日白天约会了情人，然后与供养他的放债女友大吵了一架；士兵特奥多罗当日则在街上纠缠陌生的女子们，他在公园的长椅上昏昏睡去，但目击了一名穿着拖鞋的可疑男子……可疑男子到案，向警方供述当日自身的经历，同时将一对儿百无聊赖的年青人引入案情。不移时真相终于大白。本片是意大利著名导演贝托鲁奇的处女作，根据帕索里尼的小说改编而来。
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
回复 :在十九世纪二十年代初期，乔格斯·拉弗因为经历了可怕的堑壕战，所以在精神上深受折磨。于是他决定离开自己的生活，去美国西部旅行，去造访广袤的上沃尔特，而这块地正属于迪奥福的公司。迪奥福是一个艺术家，与此同时他也是第一次世界大战的幸存者。乔格斯利用迪奥福的才能，吸引了许多镇上居民来当种植园的劳工。但是他的这次旅途，最终走入了死胡同。于是他来到了南特（法国西部港市），去找他的哥哥马塞尔。马塞尔因为战争致残，和他的妈妈生活在一起。在欧洲的战争结束后，乔格斯就再也没有见过马塞尔了。在手语老师海琳的帮助下，乔格斯慢慢的治愈了自己战争的伤痛，也尝试着治愈家庭的伤痛。
