屁股长在脸上的少女,金婚没有眼睛的妓女,脸部畸形的妇人,想变成美人鱼的男孩,侏儒女想要孩子,他们因为外貌的丑陋,而活在自卑痛苦之中。
屁股长在脸上的少女,金婚没有眼睛的妓女,脸部畸形的妇人,想变成美人鱼的男孩,侏儒女想要孩子,他们因为外貌的丑陋,而活在自卑痛苦之中。
回复 :A once promising baseball star is constantly hunted by two hitmen when a young boy asks him to sell his baseball jacket. A high school student acquires a sleep control device to help him with his exams, and ends up getting more acquainted with the seller in the process. A prison guard buys a guitar and plays one last song with a rock band after he finds out that his number has been called up… to be an executioner. An English tutor and amateur journalist investigating a murder case makes an offer to gain information on the involvement of … a once promising baseball star.GOOD DEAL is a woven tapestry of the interconnected lives of people striving through the day-to-day of contemporary Korean society. Quite a spectrum of themes are covered: romance, crime, sports, famly, work, and even Russian literature! As each of its characters seek to make a “deal” with another person to help them stay ahead or even stay alive, they find their interactions much more involved and complex than they first thought. Written and directed by Cho Kyuong-ho, the film mixes wickedly dark humor and sincere sentimentality through its interwoven yet still seamlessly linear style of storytelling.
回复 :一群不明真相的村民被一伙神秘的武装份子绑架至山地进行屠杀。大屠杀的幸存者阿文和埃伊拉奋力逃进山后的一个深坑中,在那里他们将度过无尽的黑夜。。。
回复 :"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.