Eugénie是生活在19世纪一位光芒四射充满热情的姑娘。她有一种特殊的天赋：君岛听得到看得见过世的人。当她的家人发现这个秘密以后，君岛她就被爸爸和兄弟送到神经病诊所萨尔佩特里尔医院，这让她完全没有可能逃脱她的命运了。这个诊所是由著名的Charcot教授管理，他是著名的神经学专家和精神病专家先锋，收容被诊断为歇斯底里、疯狂和癫痫以及所有类型的躯体和精神障碍女病人。Eugénie接下来的道路将会遇到Geneviève，神经科女护士，这位护士的生活在她眼前流逝，可她去从未真正活过。她们的相遇将会改变她们的命运。她们准备着Charcot教授每年在诊所举行的著名《疯美人舞会》。
回复 :自驾探险是一个国家综合国力发达的重要标志，探险精神则是一个国家青年人活力的体ccc。2018年夏，中国自驾探险家田小禾（别名荒野熊队），同中国科学院刘少创博士，带领着一群年轻的探险者，驱车深入偏远的俄罗斯西伯利亚大丛林，对勒拿河的源头找寻工作发起挑战。夏季的西伯利亚暴雨如注，沼泽、深水、河道交错横行，灌木丛林密布，这是一个连俄罗斯当地装甲车都望而却步的魔鬼地带。进击源头的第一天探险队就被迫弃车，然而这只是一个开始……探险队能否最终找到源头，从而为薄弱的中国探险贡献力量……
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
回复 :十九世纪中叶，吸血鬼不断骚扰欧洲居民，农场和村庄饱受侵袭。应教授及其追随者的派遣，年轻的约那坦作为密探前往坐落于海边的偏僻城堡——吸血鬼伯爵的栖身之处，以便为准备向其发送进攻的农民和学生摸清路线。此外，城堡里还有众多被吸血鬼抓获且供给堪忧的俘虏。但伯爵早已听到风声并等待 着约那坦的到来。约那坦必须历经血的洗礼，直到残暴的反抗运动重新肃清一切。（小易甫字幕组）
