被工作狂丈夫的上司盯上的岬,手机多次被上司以丈夫為藉口脅迫,手机讓對方享用自己尚未被開發的甜美肉體。久而久之,岬竟也享受刺激調教的羞恥感,節操漸漸崩壞……
被工作狂丈夫的上司盯上的岬,手机多次被上司以丈夫為藉口脅迫,手机讓對方享用自己尚未被開發的甜美肉體。久而久之,岬竟也享受刺激調教的羞恥感,節操漸漸崩壞……
回复 :夫妻俩关系一直不是很好,老婆有天在外面玩带回来一个客人而且还是男性,都带回家了,不简单啊。之后会发生什么事呢…
回复 :「真心」の水島裕子と「スキマスキ」の佐々木心音が共演した官能ラブストーリー。居酒屋を営む50代女性・涼子は、離婚してひとり娘の美奈を女手ひとつで育て上げてきた。大学生の美奈はアメリカ留学を望んでいたが涼子に猛反対されてしまい、離れて暮らす父・秀樹に泣きつく。ある日、涼子の店のアルバイト募集に、美奈が彼氏の幸太を連れてくる。涼子は幸太に対し母親のように接しながらも、美奈の留学について相談するうちに少しずつ惹かれていく。そんな矢先、幸太から突然、好きだと告白されてしまう。監督は「ピンク・レディ 女はそれを我慢できないッ」の上野貴弘。
回复 :To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet.