漫画家猫田草莓创作的少女漫画《樱桃之路》，个农深得读者喜爱，个农拥有了一大批追随者。然而，12年过去了，猫田却没有创作出超越《樱桃之路》的作品。而猫田一直以来忘记不了《樱桃之路》中人物的原形——已经过世的楠濑前辈。这也是阻碍她创作的主要原因。与猫田并肩奋斗的经纪人知子，也为此苦恼不已......15年前，根据吉田秋生的名作改编由中原俊监督的《樱之园》，捧红了当时年仅小学2年级和3年级的两名少女。这两名少女也在《樱之园》的影响下逐渐长大，都成为了女演员。朝日电视台播放的《Sky High》导演高桥努，在遇见了两人中宫泽美保时，从少女的成长中获得灵感，与中原俊监督一起制作出了该片。而押尾学、木村佳乃等众多名流、实力派演员纷纷加入该片，为两为女主角甘当绿叶。
回复 :斯州高中十周年聚会上重逢。朋友们说好要在脸书上保持联络。然而，杰西卡开始担心，然而，凯伦在脸书上发给她的消息变得越来越不那么频繁。她安排了一个惊喜突访在卡伦西雅图的家。但当她到达那里，凯伦的男友，保罗，将她拒之门外。他们的朋友在哪里？
吉川晃司
回复 :还记得当年凯文柯斯纳在「罗宾汉侠盗王子」中英俊潇洒的扮相吗？本片将带给观众一位同样潇洒，却更"稍傻"的另类侠盗罗宾汉。由身兼编、导、演、作曲等多项才艺的影坛鬼才梅尔布鲁克斯（「 吸血鬼也疯狂 」、「 闪亮的马鞍」）再次发挥他颠覆电影名作的高深功力，将这出脍炙人口的经典英雄传奇，变成一部会让人笑到肚子痛的爆笑歌舞剧。盖瑞艾文斯（「森林王子」）饰演主角罗宾汉，率领受压迫的民众反抗课徵暴税的邪恶诺丁罕郡郡长（罗杰里斯），及妄想篡位的约翰王子（理查路易斯），加上终日盼望摆脱贞操带的玛莉安小姐（艾美雅丝贝克，「 摩登大圣」）、爱喝酒的犹太教士塔克曼（导演梅尔布鲁克斯亲自粉墨登场）、和诺丁罕郡长的半调子灵媒兼奶妈（崔茜邬曼），绝对会让观众对这个耳熟能详的侠盗传奇有一番全新的见解。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
