剧情简介
90后高歌是个充满奇思妙想的科技狂人。为了阻止母亲把他爸爸是歌手罗大佑的谎话告诉全世界，烟火而带着母亲一同去深圳与罗大佑当面对质，烟火然而到达深圳后却不幸与母亲走失，在与好友豆豆及小编导余微的一同寻找下，不仅遇到了母亲的旧时工友，更发现母亲曾经疯狂的青春和传奇性爱情故事。高歌终于消除了对母亲的误解，并与母亲一起踏上寻父之旅。
烟火里的尘埃
90后高歌是个充满奇思妙想的科技狂人。为了阻止母亲把他爸爸是歌手罗大佑的谎话告诉全世界，烟火而带着母亲一同去深圳与罗大佑当面对质，烟火然而到达深圳后却不幸与母亲走失，在与好友豆豆及小编导余微的一同寻找下，不仅遇到了母亲的旧时工友，更发现母亲曾经疯狂的青春和传奇性爱情故事。高歌终于消除了对母亲的误解，并与母亲一起踏上寻父之旅。
渡边健二
回复 :出品单位: 北京霄海佳视影视文化传播有限农村单亲家庭的春妮虽然考取了中学但是因为没钱上学面前辍学，父亲老周经过一番痛苦挣扎后，在村干部的帮助下，终于帮女儿实现了上学的愿望……
小高
回复 :距离东京三百公里外的凤凰岛上，发生了一起人员被马匹踩踏而死的事件，谁知却让杉下右京（水谷丰 饰）的老搭档神户尊（及川光博 饰）找上门来。原来这座私人小岛正提供给有自卫队背景的某民兵组织作为训练基地，而该组织似乎涉嫌制造生化武器。神户受警察厅次长甲斐峰秋（石坂浩二 饰）指派，命令杉下与搭档甲斐享（成宫宽贵 饰）以调查命案的名义前往凤凰岛，暗中侦查生化武器的证据。特命系二人组在民兵组织负责人神室司（伊原刚志 饰）的引导下来到事故现场，而杉下则察觉到这起意外背后似乎有着某种人为的因素存在。当他和随后赶来的伊丹（川原和久 饰）等人渐渐逼近事实真相时，心怀鬼胎的政要突然命令自卫队对他们采取行动……
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
