一家小公司的职员们发现自己被困在办公室里永无尽头的一周循环之内,精彩为了让关键人物部长意识到这一事实并打破循环,精彩他们要使出浑身解数。时间循环的电影早已屡见不鲜,而能够想出“职场时间循环”这样令人惊恐又喷饭题材的,恐怕只有日本了。除了天马行空、笑料十足的精彩剧情外,本片最大亮点就是对职场及打工人真实的刻画,各种熟悉又似曾相识的桥段让无数打工人心有戚戚焉。
一家小公司的职员们发现自己被困在办公室里永无尽头的一周循环之内,精彩为了让关键人物部长意识到这一事实并打破循环,精彩他们要使出浑身解数。时间循环的电影早已屡见不鲜,而能够想出“职场时间循环”这样令人惊恐又喷饭题材的,恐怕只有日本了。除了天马行空、笑料十足的精彩剧情外,本片最大亮点就是对职场及打工人真实的刻画,各种熟悉又似曾相识的桥段让无数打工人心有戚戚焉。
回复 :Set in an uncanny future — or perhaps a slightly alternate present where cellphone technology is nowhere to be found — Anna and her partner Ryan have achieved every couple’s dream: they are in possession of a document certifying their true love. Their comfortable if somewhat mundane life, however, leaves Anna questioning their successful love test, administered by placing their extracted fingernails into a cutting-edge machine. Anna soon begins working for the Love Institute under the tutelage of Duncan (Luke Wilson), which, in addition to determining a couples’ status via the mysterious test, trains them to deepen bonds. There, she’s paired with the experienced — and devastatingly charming — Amir to take couples at various stages of relationships through a series of love-building activities before the big test. As the new colleagues work to ameliorate the connections of clients, Anna begins to wonder if perhaps Amir is her one true love and if trusting her own feelings is a more reliable metric than what is determined by a machine.
回复 :No matter the cost, No matter the danger. They will find the truth.A judge commits suicide, and his secretary is found murdered. A homeless deaf-mute man, Carl Anderson is arrested for her murder. Public defender Kathleen is assigned by the court as his lawyer. She sets to find the real killer, and gets help from the congressional advisor, Eddie Sanger who is called to be on the jury panel. Together they discover a dangerous circle of corruption in high places.本片描述的是由女书记员凶杀案而引出的一系列官场上的是非之事。一个精明得七情六欲尽写在脸上的陪审员,他一方面为了本身的政治游说工作不惜和徐娘半老的女议员上床,另一方面则主动热心地帮忙辩护律师搜集证据查案。由于按法律规定,辩护律师是不得跟陪审员来往的,而事情的发展却逼得两人之间的关系越陷越深。
回复 :In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.