九一八事变后，养虎上海药材商人项青松私下组织募捐，养虎支援东北抗日义勇军，其子项彬礼瞒着父亲也偷偷参加抗日活动。一二八事变爆发后上海陷入混乱，项家遭受大难，项彬礼加入东北抗日义勇军，后因上级投降，项彬礼投奔共产党领导的抗联，上级决定让项彬礼回上海建立地下交通线，为抗战武装提供物资药品等。淞沪会战爆发后，项彬礼加入新四军二支队，在华中开辟根据地，开展游击战，简称“江抗大队”，夜袭浒墅关车站，全歼日军护路警备队。上海派遣军参谋部特调山口一雄担任无锡警备大队长，对付江抗。经过两年艰难转战，双方在各个战线上搏杀，互有胜负。1941年，经历皖南事变的江抗大队重返华中根据地，新四军军部对其整编后建华中独立支队，派项彬礼担任支队长，为打破日伪的“清乡”、“屯垦”计划，不断与敌作战，最终迎来1945年抗战胜利。
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小斯韵
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
张远
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