广东省公安厅女刑警杨向东在深圳缉查香港黑帮时，春暖缴获巨额假人民币。据分析，春暖这些假币来自菲律宾，是用来购买毒品的。杨向东奉命化装成一个到菲律宾投亲的中国女孩，被海关查出携毒关进监狱，得以接近涉嫌贩毒的小祺。向东设法携小祺越狱，并找到小祺的男友黑帮成员张阳，从而打入黑帮内部。在菲律宾警官Santos的帮助配合下，向东和香港卧底警察小李几经考验，终于见到了黑帮真正的老大——菲律宾的高官Reyts,并查清了黑帮印制假人民币的大本营。在执行接货任务中，向东和小李的身份暴露，小李身上的窃听器失灵，危急关头，他们视死如归，与群匪展开一场殊死搏斗……
回复 :女一号张然柠是一个漂亮、高冷、神秘、有文采的高中生，从小与外婆相依为命，外婆去世后独自生活，母亲一再要求她出国一起生活，张然柠都予拒绝，她一些特殊的举动，让大家有各种猜测。腹黑女刘美琴对张然柠万般嫉恨，多次拉拢胆小、自私、爱占小便宜的夏小龙使用手段在老师面前让张然柠犯错，还把刘美琴和夏小龙去教务处偷试卷的事诬陷到张然柠身上，却因夏小龙的手在教务处被刘美琴踩伤而漏洞百出⋯⋯高志是一个帅气、沉稳、担当的富家子，一直被仰慕着他的刘美琴不断纠缠，看到刘美琴对张然柠的各种举动，更是心生厌恶。并一次次在暗中帮助，让大家识破真相。面对张然柠的突然消失，高志黯然失落。李牵/ 干莺/ 张英达
回复 :水警辉（黄秋生 饰）与专栏作家妻子阿芝（黎姿 饰）原本计划利用假期去日本旅游，但阿芝在元朗的母亲（罗兰 饰）和妹妹阿芬（张玉珊 饰）最近被开发商骚扰，辉只得不情愿的随阿芝去元朗守卫岳母的老宅。甫一到达，一名徘徊在老宅门前的风水师便警告辉、芝夫妻，声称此屋犯太岁，且先前诸风水布局已经失控，堪称凶宅中的凶宅，七日之内必有灾祸，辉不以为意。入住当夜，辉撞破正在为了开发商收地而装神弄鬼的歹人，又在院中遇见一名哭泣的女孩，从此，一系列怪事不断发生，他们一家人的关系也愈发紧张。而这些闹鬼事件背后的真相，居然和辉与阿芝没有子嗣有关……
铁之女
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
