阿芬（白歆惠 饰）遭遇了事业滑铁卢，国自丢了工作沦为无业游民。偌大的社会，国自一份工作竟然是这样的难找，阿芬没了收入，家中全部的经济压力都落到了丈夫智凯（纳豆 饰）的肩上，智凯有些不堪重负。无奈之下，阿芬只得来到了大卖场，成为了一名推销员，然而阿芬脸皮薄，放不下身段，导致她的业绩一直为零。智凯在工作中结识了洁哥（那维勋 饰），在洁哥的推荐之下，阿芬和同事美秀（林美秀 饰）得到了进入电视台购物频道的机会。在洁哥的特殊培训之下，阿芬的口才突飞猛进，业绩也水涨船高，这令她和同为销售高手的美秀之间的关系变得微妙起来。
高晓松
回复 :尼古拉斯·凯奇或将出演全新影片[攻击链](Kill Chain，暂译)，该片由肯·桑泽尔([替身杀手])自编自导。故事讲述三个陌生人，他们彼此将陷入前所未有的冲突中。该片在戛纳电影节上被形容为最棒的黑色侦探影片。千禧年影业负责制作。
回复 :黄小龙（吕小龙）和愉快的朋友们以及国际刑警惠敏亲分一起阻止毒贩雷洪夺取师傅留下来的秘笈九阴真经下册精武指的故事。
谢政廷
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
