大学教授奴奴（Francesco Casale 饰）目前和瘫痪的父亲同住，日韩为了能让辛劳一生的父亲更好的安度晚年，日韩他聘请了一位美艳的护士照顾父亲的生活起居。随着时间的流逝，奴奴发现了父亲和护士之间的暧昧情感，而他惊讶的发掘，自己从窥视中竟然获得了异常的快感。奴奴早已结婚，但与妻子分居且感情并不是十分完满。某一日，护士偷偷的告诉奴奴，她曾看见他的妻子在午夜时分和他的父亲共处一室。奴奴找到妻子质问，却从妻子处得到了一个惊人的消息——她曾在新婚之夜被自己的父亲强奸。在痛苦和内疚中，奴奴原谅了妻子，妻子重新搬回了奴奴的住处，奴奴，妻子和父亲三人开始了新的生活。
黄泆潼
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
回复 :胡迪深知自己在这个世界上的使命，就是照顾他的主人，无论是原来的安迪还是新主人邦妮。当邦妮将不情愿成为玩具的“叉叉”带回家时，胡迪又担起了教导叉叉接受自己新身份的责任。 然而当邦妮将所有玩具带上房车家庭旅行时，胡迪与伙伴们将共同踏上全新的冒险之旅，领略房间外面的世界有多广阔，甚至偶遇老朋友牧羊女。在多年的独自闯荡中，牧羊女已经变得热爱冒险，不再只是一个精致的洋娃娃。正当胡迪和牧羊女发现彼此对玩具的使命的意义大相径庭时，他们很快意识到更大的威胁即将到来……
回复 :昔日上古神兽麒麟锻造了轩辕、承影等七把降魔剑，并点化人间七位修行者成为七剑传人。与此同时长寿城一条修行了千年的蛇妖，为增长修为，残害生灵。七剑传人秉承着守护人间太平职责与蛇妖在黑魔崖上大战，将其封印。五百年后，就在当代承影剑主察觉异象加固封印时，蛇妖乘机破开封印，承影剑主拼死护着坐骑毛驴带着承影剑逃下山。风云酒馆的店小二洛小天，一次给山中酒客送酒途中，偶遇毛驴并得到承影剑认可，自此招致系列祸事，最凭借自身努力悟出承影剑最终奥秘。