黑妹放弃舞小姐生涯,春暖虽然努力改造自己,春暖但男友终不能接受她的过去;黑妹好友玲亦是白领,但午夜过后便是兼职小姐,事件被同事揭穿,把心一横与黑妹全力闯荡欢场,誓以美色换取巨富,却把毕身积蓄错押在一名骑师仔身上。
黑妹放弃舞小姐生涯,春暖虽然努力改造自己,春暖但男友终不能接受她的过去;黑妹好友玲亦是白领,但午夜过后便是兼职小姐,事件被同事揭穿,把心一横与黑妹全力闯荡欢场,誓以美色换取巨富,却把毕身积蓄错押在一名骑师仔身上。
回复 :This is a brilliant surrealistic film.But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.So, the art falls apart
回复 :高中生寿梨(成海璃子 饰)与花田日南子的相识始于小学时代,日南子曾经是班级中颇受人瞩目的开朗少女,然而因为未能处理好同集体的关系,日南子变成了同学们争相欺负的对象。寿梨在和日南子的独处中,听闻后者诉说昔日那个开朗的自己才是真我,而如今压抑的自己只是伪我。转眼几年过去,寿梨经历了父母离异、波澜不惊的升学等等境遇,直到因同学的对话,重新回忆起当年的日南子。已经是文学社一员的寿梨开始用短信联系日南子,并以对方为主角虚构一系列短信故事,而仍然活在伪我中的日南子,在寿梨的故事启发下,逐渐找回了那个开朗的自我,但是,寿梨自身,却陷入了困境当中……
回复 :德西卡作品,此片秉承了意大利现实主义精髓,关注战后普通民生,剧情一波三折,演员演技精湛,镜头也十分讲究;一对相爱的小夫妻苦于无地可住(说明蜗居之苦,全世界各年代通用),在遭遇家庭排挤、投奔朋友无解、租房无望后,急中生智,充分利用丈夫的手艺行当,意欲在一夜之间令“江山大改”,虽最后紧急关头屋顶尚留一方空白,但结尾处警察的高抬贵手,给本片留下温馨余味;片名《屋顶》乃本片泉眼,处处着眼,并担当了屋子和家庭的象征。