剧情简介
代表葡萄牙参赛奥斯卡的《一千零一夜》二部曲《一千零一夜II：欧洲孤独之人》，欧洲不同首部曲的天马行空，改以沉稳的叙事反映社会现实，透过小狗「迪克西」的角度，看尽现代人的冷漠与伪善， 富饶趣味地包装社会议题，同时为寂寞带来全新语言。狗儿充满灵性、惊喜的表现，毫无悬念地夺得本届坎城影展「狗狗金棕榈」奖，超级吸睛。
欧洲的某个地方
代表葡萄牙参赛奥斯卡的《一千零一夜》二部曲《一千零一夜II：欧洲孤独之人》，欧洲不同首部曲的天马行空，改以沉稳的叙事反映社会现实，透过小狗「迪克西」的角度，看尽现代人的冷漠与伪善， 富饶趣味地包装社会议题，同时为寂寞带来全新语言。狗儿充满灵性、惊喜的表现，毫无悬念地夺得本届坎城影展「狗狗金棕榈」奖，超级吸睛。
思小妞
回复 :The adventure begins when the loving owners of three irresistible pets (Chance, a fun-loving American bulldog pup; Sassy, a hilarious Himalayan cat who lives up to her name; and Shadow, a wise old golden retriever) are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man, beast, and nature alike.
回复 :姜俊秀（李昇基 饰）和金贤雨（文彩元 饰）是从小玩到大的青梅竹马，姜俊秀一直以来都默默喜欢着金贤雨，然而，当他决定将心中的感情传达给对方时，却遭到了金贤雨的拒绝。尽管如此，姜俊秀却依然不离不弃的陪伴在金贤雨的身边，成为了她最亲密和最信赖的朋友。金贤雨是一名气象主播，她开朗而又活泼，在电视台里拥有着很高的人气，然而，如此美丽自信的她，却偏偏陷入了同前辈李东镇（李瑞镇 饰）之间的不伦之恋中无法自拔，每日为了这个不值得她付出的男人伤心难过，并常常因此而找姜俊秀大吐苦水。看到金贤雨的痛苦和难过，姜俊秀的心里十分不是滋味。
刘蓝溪
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
