可曾記得十五歲的年輕滋味嗎?在這部輕鬆迷人的喜劇片中,欧美請隨著三名俄亥俄州的青少年一同再次體驗由青澀朦懂跌跌撞撞邁向成熟穩重的酸甜苦辣。聰慧可人的娜塔莉(珍妮佛康納利飾,欧美《身為人母》、《血鑽石》)為了「精神契合的伴侶」而放棄自己的童真,見一個愛一個的小花痴寶莉(瑪蒂寇曼飾,《求婚腦震盪》、《我的手槍會轉彎》))幻想著自己成為美國總統,而個性叛逆的傑夫(拜隆覃姆斯飾)則因與繼父不合,忙著離家出走。他們正如你我一般,在成長中經歷了各種喜悅與痛苦,從而認識了生命、學習到愛的意義。
可曾記得十五歲的年輕滋味嗎?在這部輕鬆迷人的喜劇片中,欧美請隨著三名俄亥俄州的青少年一同再次體驗由青澀朦懂跌跌撞撞邁向成熟穩重的酸甜苦辣。聰慧可人的娜塔莉(珍妮佛康納利飾,欧美《身為人母》、《血鑽石》)為了「精神契合的伴侶」而放棄自己的童真,見一個愛一個的小花痴寶莉(瑪蒂寇曼飾,《求婚腦震盪》、《我的手槍會轉彎》))幻想著自己成為美國總統,而個性叛逆的傑夫(拜隆覃姆斯飾)則因與繼父不合,忙著離家出走。他們正如你我一般,在成長中經歷了各種喜悅與痛苦,從而認識了生命、學習到愛的意義。
回复 :塔拉吉·P·汉森、雷瑞克·本特等主演的[忍无可忍](Acrimony,暂译)释出海报。罗斯·奥利维亚·珊蓉自编自导。梅琳达(汉森饰)以丈夫罗伯特(雷瑞克·本特饰)为中心,而她偶然发现丈夫居然和一个名为戴安娜(沙文·柯克西饰)的女人组成家庭。梅琳达怒火中烧,誓将报复。本片北美明年3月30日上映。
回复 :据国外媒体报道,继《行尸走肉》(The Walking Dead)和《行尸之惧》(Fear the Walking Dead)之后,AMC打算推出第三部僵尸题材的剧集《行尸之惧:462航班》(Fear the Walking Dead: Flight 462),如同《行尸之惧》是《行尸走肉》的衍生剧一样,《行尸之惧:462航班》是一部衍生自《行尸之惧》的网络剧。《行尸之惧:462航班》将由《行尸之惧》的主创大卫-埃里克森(Dave Erickson)和监制大卫-维纳(David Wiener)联手打造。这部网络剧共有16集,单集片长还不足一分钟,除了在网上播出之外,还将在《行尸走肉》新一季播出间隔的广告时段播出。《行尸走肉》第六季将于10月11日回归,而《行尸之惧:462航班》将在10月4日登陆AMC官网。另外《行尸之惧:462航班》中的一位角色将加盟《行尸之惧》第二季,这也算是一个不错的噱头。正如剧名暗示的那样,这部网络剧设定于一架飞机之上,飞机起飞后没多久,机上乘客意识到他们中的一员已经被感染了。这听起来就像是僵尸版的《航班蛇患》(Snakes on a Plane)。
回复 :Mario works in a large warehouse of lost objects where he keeps all kinds of belongings all kinds of belongings accumulated over the decades. Mario, who has Mario, who has long since decided to distance himself from people, spends his spare time investigating the investigating the provenance of objects in order to return lost pieces of their lives to their owners. lost pieces of their lives to their owners. Only Helena, a young policewoman who the warehouse, has been able to break through his armour. armour. One day a suitcase rescued from the bottom of the river arrives at the warehouse. Inside, she finds she finds baby clothes next to some human remains. Mario decides to Mario decides to investigate on his own and following the trail of the suitcase he comes across Sara, a young woman trapped since she was a child in a human trafficking organisation. trafficking organisation. A network that treats people as if they were objects.