剧情简介
杰恩和劳拉两姐妹，神马在听闻父亲患上老年痴呆症后，神马重返故乡去探望。劳拉工作很忙，家里还有两个年纪尚小的孩子，而杰恩正努力尝试跟总把工作放在第一位的丈夫生个孩子。两人都有各自的家庭需要照料。劳拉认为父亲有可能需要全天候的看护，杰恩则希望情况不会那么糟糕，然而随着父亲日益老迈，总需要有人在身旁。心思纷乱的两姐妹，在随后与父亲的相处中，开始重新审视自己的生活，逐渐体会到亲情的可贵……
神马影院线手机视频老子
杰恩和劳拉两姐妹，神马在听闻父亲患上老年痴呆症后，神马重返故乡去探望。劳拉工作很忙，家里还有两个年纪尚小的孩子，而杰恩正努力尝试跟总把工作放在第一位的丈夫生个孩子。两人都有各自的家庭需要照料。劳拉认为父亲有可能需要全天候的看护，杰恩则希望情况不会那么糟糕，然而随着父亲日益老迈，总需要有人在身旁。心思纷乱的两姐妹，在随后与父亲的相处中，开始重新审视自己的生活，逐渐体会到亲情的可贵……
回复 :The movie stars Sam, 18, an aspiring musician that just lost her older sister Amber. During the difficult grieving process, Sam finds comfort in singing and songwriting - fulfilling the dreams that Amber would now never be able to pursue. Along with Amber's band, Sam moves to Nashville to pursue Amber's dream of making a career in the music industry. Upon arrival, they sign with a music manager who immediately provides them with success, but at a price. As the taste of fame draws near, tensions begin to rise within the band. Will the industry tear them apart and change forever who they are? Even in Dreams is an inspiring, feel good, musically driven family film.
韩磊
回复 :2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
回复 :结束了合唱班的活动，年轻女性莫莉·普尔（罗娜·米特拉 Rhona Mitra 饰）搭乘好友亚莉桑德拉·法罗（安德拉·罗素 Andrea Roth 饰）的车回家。汽车在某个隧道发生交通事故，亚莉桑德拉下车求助，结果遭遇一辆坏掉半边车灯的1972年款凯迪拉克Eldorado。车上所乘并非救命天使，而是全副武装、只有一只胳膊的变态杀人魔。他旋即对现场的生还者展开无情屠杀，最终只有莫莉侥幸逃脱。拥有多年工作经验的交通警威尔·麦克林（Frankie Faison 饰）根据现场的轮胎痕迹确信莫莉所言为真。与此同时，一名神秘男子也不断在莫莉周围出现。他叫詹姆斯·克雷（詹姆斯·卡维泽 James Caviezel 饰），五年前曾亲眼目睹爱妻被同一个杀人魔杀害。在此之后，他不断追踪对手的行踪，势要为妻子报仇雪恨……
