地球之所以有今天的和平与繁荣，黄飞鸿全靠那些默默无闻的超级战队牺牲小我，黄飞鸿权力对抗接二连三入侵的宇宙怪人。但是最近一批战队成员服役期满，于是有些不着调的司令官查尔斯（佐藤二朗 饰）出于根本没有说服力的理由找到了兢兢业业的建筑公司OL赤木直子（桐谷美玲 饰）、强势的服装店店员青田美佳（藤井美菜 饰）、为钱所困的贫乏女黄川田由里（高畑充希 饰）、在小剧团编制演员梦想的绿川佳乃子（有村架纯 饰）以及挑男人眼光极差的白富美绀野菫（山本美月 饰）。为了地球的和平，五个人勉强组队，但是在怪人入侵的过程中，女孩们却总是因各种琐事请假缺席，而她们似乎也有了越来越多不用奉献那么多义务的借口。直到入侵的怪人越来越强大，五人才能够使出的“女子龙卷风”能否出现……
邓伊茜
回复 :I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
回复 :Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的，可联系版权方微信：1714371600《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
