即将初中毕业的园园（虞梦 饰）、日本晓文（姬晨牧 饰）、日本眼镜（陶冶 饰）和蓓蓓（何凌 饰）是形影不离的好伙伴，其中三人的父母都当警察。暑期将至，园园的爸爸在执行任务时不幸牺牲，她发誓要找到杀害爸爸的凶手，伙伴们决心陪她一起调查。知道爸爸是追盗车贼时遇害的，他们冒着酷暑往返于各个停车场，竟然真发现了一个穿白色衣服的偷车贼。一天，他们抓住一个偷车女人，却是化装侦察的女警官园园的妈妈白晔（高宝宝 饰）。蓓蓓的妈妈司瑞捷是时装设计师，她一个不经意的动作引起晓文怀疑，因为这与那个穿白衣服的偷车贼的动作完全一致。蓓蓓不相信妈妈是坏人，但当她在家发现那套白色衣服时，她震惊了......
回复 :故事发生在美国缅因州一个被冰雪覆盖的小镇上，由于多方的失误，导致小男孩欧文被遗忘在校车上一个晚上，正值严冬的小镇夜晚异常寒冷，欧文因身体温度过低，身体进入假死状态。校车司机和欧文一家的平静生活由此被打破。
陈嘉玲
回复 :作为初出茅庐的律师新手，米奇幸运的得到了一家知名律师事务所的垂青，该事务所不仅在职位上十分看重米奇，更是在经济方面给予了米奇和其妻子艾比极大的帮助。个性耿直善良又极富正义感的米奇在高兴之余决定在律师行业里大展拳脚，但随着时间的推移，米奇发现，这个事务所所经营的案件并非表面上所看到的那么简单，除了离奇死亡的律师外，事务所更是和黑道有着千丝万缕的非法关联。年轻的米奇站在了人生的十字路口上，是顺从于事务所的安排与其同流合污，还是勇敢的站出来，冒着死亡的风险协助警察调查事务所的底细？米奇心中已经有了答案。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
