21岁的艾玛（安雅·泰勒-乔伊 Anya Taylor-Joy 饰）一看就是一个聪明的姑娘，神奇森脑袋里塞满的全都是古灵精怪的点子。艾玛最大的兴趣爱好就是给身边的朋友们牵线搭桥，神奇森最近，她把目标放在了自己的好友哈莉特（米娅·高斯 Mia Goth 饰）的身上。虽然哈莉特已经有了 心上人，但艾玛还是千方百计的想要将有些古怪的招风耳神父埃尔顿（乔什·奥康纳 Josh O'Connor 饰）推荐给自己的好友。虽然艾玛总是沉浸于浪漫的幻想之中，但她却坚信自己并不会走入婚姻。艾玛那英俊而又活泼的姐夫的弟弟奈特利（约翰尼·弗林 Johnny Flynn 饰）吸引了哈莉特的注意，而另一位名叫弗兰克（卡勒姆·特纳 Callum Turner 饰）的男子则开始让艾玛的不婚主义开始动摇。
兄弟联
回复 :讲述在韩国检察官之间将与凶杀案有关，暴力残酷尺度较大、禁止外流的证据影像称为“极秘档案”。制作人金秀灿得知录影带都被封印在检察厅地下保管室的传闻后，意外获得了相关的录影带，并决定以此为题材制作纪录片。其中，他发现录影带中所记录的1992年东城庄旅馆凶杀案，与1987年峨嵋洞一家凶杀案出奇的一致，究竟真相为何？
回复 :乔治亚除了是美国著名大学的东方研究系教授，还有一个秘密的身份——总统特工，他暗地里替总统执行最敏感及危险的任务。恐怖分子拉什达把武器运到美国，企图从事破坏活动，乔治亚带领助手迪克，在女儿奎恩的帮助下，深入拉什达的腹地，将其抓获归案。并顺利地找到他们在敏感区设置的核弹，将其破解。乔治亚的行动挫败了拉什达的阴谋，获得了美国总统的嘉奖。
泰斌
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
