剧情简介
在她牧师兄弟被指控自杀后，视频格雷斯前往偏远的苏格兰修道院，在那里他摔死了。她不相信教会的说法，揭露了谋杀、亵渎和一个令人不安的真相。
avvr视频
在她牧师兄弟被指控自杀后，视频格雷斯前往偏远的苏格兰修道院，在那里他摔死了。她不相信教会的说法，揭露了谋杀、亵渎和一个令人不安的真相。
回复 :主角西摩在一個日全蝕的下午，向一個中國商人買了一株怪異的植物，西姆爾暗戀同事奧黛麗，所以取名「奧黛麗二世」。奧黛麗其實也喜歡西摩，但是自認為配不上他，甘心忍受牙醫男友的百般虐待。西摩發現「奧黛麗二世」吸血的祕密，更駭人的是「奧黛麗二世」會講話，它慫恿西摩去殺牙醫來餵他，但是西摩並沒動手，牙醫就因為吸了太多筒子裡的「笑氣」而自斃。發現祕密的穆希尼先生想趁機威脅西摩讓出「奧黛麗二世」，自己獨享收益，結果反而落入「奧黛麗二世」的口中。西摩想解決掉這株怪物，它卻挾持了奧黛麗，最後西摩鼓起勇氣單挑「奧黛麗二世」，並且用電擊殺死了這株飲血植物。
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
仁科
回复 :美国B级片教父塞缪尔·富勒作品，1953年第18届威尼斯电影节铜狮奖。警察，小偷，电影制作人被阴错阳差地搞在了一起……最后还惹出了跟国家机密有关的乱子。主人公只是想拍电影，却陷入现实的奇遇之中，最后从中领悟生活与电影的有趣关系。
