日韩中文精品
地区:印度
  类型:儿童
  时间:2025-07-16 09:12:10
剧情简介

说唱巨星萨维蒂主持这档致敬性健康和性积极的节目,日韩并有专业教育工作者、坦率的单口喜剧演员和毫无拘束的木偶助阵。

63225次播放
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12555人已收藏
明星主演
刘纯如
陈文浩
吴骏毅
最新评论(784+)

司徒骏文

发表于6分钟前

回复 :获1934年奥斯卡最佳电影、最佳导演、最佳艺术指导奖!三十年代初是英美电影交流的黄金时代,1933年的第六届奥斯卡金像奖更是竟争激烈,共有十部影片角逐最佳影片,而改编自英国同名舞台剧的本片则脱颖而出,最终获得最佳影片等三项大奖,弗兰克.劳埃德荣获最佳导演奖。影片描述1899年布尔战争时,罗伯特.马利奥特和妻子珍·马利奥特被征召前往战场,从此马家与世界时局息息相关。1900年罗伯特荣归故里,但铁达尼号船难使长子丧生。1914年,第一次世界大战爆发,幼子奔赴战场,不幸为国捐躯。马利奥特夫妇厉经时代的严峻考验,始终恩爱如初,也从未对国家失去信心。克里夫·布鲁克和黛安娜·温亚德的表演也非常精彩。 由始至终撑起了这部戏剧时空长达30年的文艺剧作。


胡培蔚

发表于7分钟前

回复 :上有天堂,下有苏杭,苏州旖旎风光之外,美食更成为吸引了海外宾朋的重要元素。话说在解放前,家住苏州的朱自冶(夏天 饰)可谓前无古人、后无来者的资深吃货。他家资丰厚,靠着祖上留下的房产衣食无忧。不过朱自冶对穿戴女色全然不感兴趣,平生所好唯有一吃。吃能吃出讲究,吃出门道,吃出名气,吃出传奇,苏州大街小巷所有的美食他都了然于胸。当年还是穷学生的高小庭(王诗槐 饰)结识了这个大吃货,巨大的落差让他对朱充满了憎恨与厌恶。祸国殃民的十年动乱终于以失败收场,百废待兴的当下,各行各业都呈现了前所未有的别样生机。高小庭作为苏州城松鹤楼饭庄经理,决心重新振兴传统文化。而朱自冶此时则以“美食家”的身份出现在他的面前……本片根据陆文夫的小说改编。


朴申阳

发表于9分钟前

回复 :SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be.  An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944.  Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance.  The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.


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