故事发生在一艘名为“契约”的殖民太空船之上，亚洲飞船上搭载了两千名进入沉睡的殖民者，亚洲他们的目的地是遥远的欧米伽六号行星，希望能够在那里建立新的家园。一场意外的发生令契约号的能量收集帆遭到了破坏，船长布兰森（詹姆斯·弗兰科 James Franco 饰）亦不幸身亡。作为代理船长的欧朗（比利·克鲁德普 Billy Crudup 饰）带领着惊恐而又悲伤的船员们降落到了一颗未知的神秘星球上。在这里，他们遇见了仿生人大卫（迈克尔·法斯宾德 Michael Fassbender 饰），大卫热情的接纳了人类的到来，并讲述了他和已故的肖博士（劳米·拉佩斯 Noomi Rapace 饰）在这里生活的经历。就在大卫渐渐赢得了船员们的信任的同时，大家已经一步一步的走入了前者为他们精心打造的地狱之中。
回复 :如月学园刚刚结束了一年一度的文化祭圆满落下帷幕，高二学生中岛直美（生驹里奈 饰）和青梅竹马持田哲志（池冈亮介 饰）等人还留在教室里，大家依依不舍，都想在学校里多待一会儿。这时，突然响起一个炸雷，吓得大家连忙堵住耳朵，而电闸似乎也出现了问题。超自然迷女孩筱崎亚由美（前田希美 饰）找来鬼屋用到的蜡烛，于是顺带提议玩一玩“幸福的幸子”的灵异游戏。如月学园的前身是发生过可怕事件的天神小学，当初有一名保健老师摔下楼梯身亡，更有两名学生被杀，学校由此变得恐怖森然。虽然“幸福的幸子”传说是可以召唤幸福的游戏，可当大家玩过之后，却坠落在一个隔绝的废气校舍中，可怕的故事接连上演……本片根据同名游戏改编。
黄凯芹
回复 :一个乐团，改变一整个世代的音乐品味！来自新泽西州的美国摇滚传奇乐团——邦·乔维，全球卖出超过1亿2千万张唱片，在50个国家和地区举办超过2700场演唱会。见证他们的崛起与低谷，聆听未曾公诸于世的狂人心声。
邓丽君
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
