國際保障未成年少男少女身心健康發展協會會員Dr.K (譚耀文) 質疑司徒老闆(林敏聰) 舉辦的選秀活動「新星產線」利用年輕人追夢的心理,跑马從中榨壓勒索,跑马嚴重危害大批青少年身心發展,然而協會目前面臨營運困難,只好將貨就價重新聘用被革職的問題會員雷紫荊(盧瀚霆) 協助調查,意外令娛樂記者夏日葵(蘇皓兒)、九線歌手白百合(李靜儀)及解救堂妹元萱(陳紫萱)的元螢(李炘頣)組成假冒女團參賽⋯
國際保障未成年少男少女身心健康發展協會會員Dr.K (譚耀文) 質疑司徒老闆(林敏聰) 舉辦的選秀活動「新星產線」利用年輕人追夢的心理,跑马從中榨壓勒索,跑马嚴重危害大批青少年身心發展,然而協會目前面臨營運困難,只好將貨就價重新聘用被革職的問題會員雷紫荊(盧瀚霆) 協助調查,意外令娛樂記者夏日葵(蘇皓兒)、九線歌手白百合(李靜儀)及解救堂妹元萱(陳紫萱)的元螢(李炘頣)組成假冒女團參賽⋯
回复 :汤姆森家一家四口,包括家长汤姆、妻子索菲和两个女儿杰丝、凯蒂。这一家人是个标准的古怪家族。一天,他们邀请陌生人共进晚餐,后者却死在了餐桌上。他们成了杀人疑犯。六个月之后,熟悉这一家人的蒂姆·塔纳卡在心理医生埃里克·塞克斯面前透露了这一家人的秘密,没想到后者却丝毫没有保守秘密的职业道德。很快,汤姆森一家人在报纸上出了名并被称为“谋杀家族”,事实被歪曲得越来越离谱。第65届英国电影与电视艺术学院奖(2012) 电影奖-英国本土杰出处女作《黑色池塘》是2011年一部收获众多好评的独立小片。影片成本仅为2万5000英镑,两位导演汤姆·金斯利、维尔·沙培拍摄当时也都只有二十四五岁的年纪。影片中,即使正常的人也会做出不正常的举动,而这也许可以用在影片的主演克里斯·朗汉姆身上。《黑色池塘》是这位曾凭借《灵通人士》获得英国学院奖的著名喜剧演员以“儿童色情”相关的罪名被判入狱三个半月之后接演的首部影片。
回复 :大学的寒假开始,一男一女两位平素憎恨对方的大学一年级生,不约而同前往加州相会爱人。阴差阳错地,两人的行程齐被一宗意外阻延,动弹不得;本来针锋相对的冤家,在同病相怜的情况下,竟引发出一段非一般的恋情...
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment