Samuele是一个十二岁的男孩,日韩居住在地中海的一个小岛上。和许多同龄男孩一样,日韩他并不是很喜欢去学校,而是更愿意去攀爬海边那些岩石、玩他的弹弓、在海港转悠。但他的家乡并不是个平常的小岛而已。
Samuele是一个十二岁的男孩,日韩居住在地中海的一个小岛上。和许多同龄男孩一样,日韩他并不是很喜欢去学校,而是更愿意去攀爬海边那些岩石、玩他的弹弓、在海港转悠。但他的家乡并不是个平常的小岛而已。
回复 :Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
回复 :《空中浩劫》(Air Crash Investigation)是一个由加拿大的Cineflix公司所制作的纪录片节目。此节目主要介绍1970年代黑盒子发明之后所发生的近代重大航空事故。在第三季时,有三集穿插铁道事故及航海事故。此节目在不同频道播出有不同的英文名称,于加拿大的Discovery频道播出时称为“Mayday”,在美国播出时称为“Air Emergency”,而在英国、法国和其他国家播出时称为“Air Crash Investigation”。《空中浩劫》会以模拟演出的方式,分别以乘客、机师等不同人的视角,从一开始旅客登机、起飞,一直到事故发生、后续善后及调查为止,重现整个过程。在片中会穿插对于乘客及机师的访谈(若有生还者且其愿意受访时),另外也会访问空难调查人员、目击者等。取材以事故调查报告及相关新闻报道为主;若因调查单位不公开报告以致无法取得事故调查报告时,则会征询相关专家的说法以拼凑出全貌。此节目对于飞机外观、空服员制服、机场等制作考究,但也并非100%做到与当时完全一样,偶有不相符之处,如波音737驾驶室变成空中客车A320驾驶室。模拟演出时,会找与当事人相貌近似的的演员参与。
回复 :A look at the life and work of Italian cinematographer, Carlo di Palma.