与家人生活在一起的高中生相原菱（成海璃子 饰）性格内向。在班上阿菱没有朋友，凯洛看到同学们都有手机，凯洛她也渴望自己能拥有一台。阿菱某天在公园里拣到一台玩具手机，她本来是觉得好玩而留下了。没想到第二天她在学校保健室休息的时候，这部手机竟然响起来。慌忙中她接了电话，对方是一名年轻男子。随后她便认识了这个叫慎也（小出惠介 饰）的男孩子。慎也与祖母生活，刚高中毕业的他当今在废品回收公司上班。在电话里，阿菱与慎也聊开了，互相交换彼此的事情。同样孤独的两人因为这个偶然渐渐走到了一起。阿菱得到了慎也的鼓励，越来越开朗，两人互相影响改变。他们相约在周末的东京见面，阿菱想到终于能跟慎也直面交谈兴奋不已，但意想不到的一个事实也同样走向阿菱。
回复 :本剧改编自同名漫画，讲述了从未恋爱过的年轻当红演员涉谷大海，因接送年差很大的妹妹而与幼儿园老师青田爱花相遇，在笨拙的同时也孕育出恋爱的爱情喜剧。大海能完美驾驭任何角色，以爽朗的笑容虏获世间女性的心，不过其实是有点天然呆的帅哥。爱花遇到大海后，只有工作没有色彩的日常生活开始发生了巨大的动摇。既是“老师×监护人”，又是“艺人×圈外人”，不可能结合在一起的两人将展开怎样的爱情故事呢…
方逸华
回复 :格蕾丝、安妮和汤米正在迅速成长为警察，但没有什么能让他们为每天面临的混乱做好准备。麦金太尔犯罪团伙垮台已经一年了，真空被敌对帮派填补，他们都在争夺统治地位。警员肖恩·布拉德利被征召来帮忙，但他的动机尚不清楚。汤米被情报警察的世界危险地诱惑，而格蕾丝努力处理她儿子的缺席，以及对同事史蒂夫日益增长的感情。当一个年轻的忠诚分子威胁要接管这座城市时，警察们面临着一个主要的黑社会。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
