剧情简介
新銳演員韓寧與曾榮獲北影最佳新演員的余佩真主演，大人與被稱為「推理鬼才」導演文二北投，大人將整部作品皆遊走於現實與虛幻之間。余（韓寧 飾）被新政權指控隱瞞叛軍所在地後展開逃亡。被追捕的當下，僅存的逃生方式，就是找到願意幫助她整容並協助逃脫的神祕女孩蓮（余佩真 飾）。但跟蓮相遇後，余卻因為蓮不可思議的能力和迷人的個性不可自拔，陷入了一個難以區分虛實的奇幻世界......。
大人父母官
新銳演員韓寧與曾榮獲北影最佳新演員的余佩真主演，大人與被稱為「推理鬼才」導演文二北投，大人將整部作品皆遊走於現實與虛幻之間。余（韓寧 飾）被新政權指控隱瞞叛軍所在地後展開逃亡。被追捕的當下，僅存的逃生方式，就是找到願意幫助她整容並協助逃脫的神祕女孩蓮（余佩真 飾）。但跟蓮相遇後，余卻因為蓮不可思議的能力和迷人的個性不可自拔，陷入了一個難以區分虛實的奇幻世界......。
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :该剧结合了野生动物电影制作技术和最新的古生物学知识，以独一无二的方式揭开古代地球壮观的动物栖息地的面纱。该剧集由 BBC Studios 自然历史部门的知名团队支持下制作。《史前星球》以白垩纪时代的环境为背景，描绘了海岸、沙漠、河流、冰雪世界和森林的场景，展示了鲜为人知且令人惊讶的恐龙生活。
回复 :Lonely widow Joyce rents out a room in her house and becomes dangerously obsessed with one of her guests.
