剧情简介
男主是个在农村离异家庭长大的80后，日韩在父亲因病去世后，日韩离开老家在大城市工作。得知村子要进行拆迁棚改后，回到老屋子里收拾东西。看到了爸爸的遗像以及小时候的物品，觉得从小成长的村子再也看不到了，想回到小时候看看逝去的亲人。因弹珠形似多重宇宙，继而通过的一颗弹珠为媒介穿越到了小时候男主的身上，重新经历了一次童年的四季，也经历了再次失去一些人和物的故事。
日韩综合中文在线
男主是个在农村离异家庭长大的80后，日韩在父亲因病去世后，日韩离开老家在大城市工作。得知村子要进行拆迁棚改后，回到老屋子里收拾东西。看到了爸爸的遗像以及小时候的物品，觉得从小成长的村子再也看不到了，想回到小时候看看逝去的亲人。因弹珠形似多重宇宙，继而通过的一颗弹珠为媒介穿越到了小时候男主的身上，重新经历了一次童年的四季，也经历了再次失去一些人和物的故事。
关心妍
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
交工乐队
回复 :This is the incredible true story of a little girl’s kidnap, her five year survival alone in the jungle…and the monkeys who saved her.A unique journey from feral child to modern day Grandma now living happily in Bradford, England.Marina Chapman doesn’t know her real name or her biological family.She claims that as a child in Colombia she was abducted and abandoned in the jungle, and that she survived by living alone with monkeys for five years.Now, fifty years later, Marina is returning to Colombia with her daughter to try and uncover the truth.Scientists will analyse her bones, test her subconscious responses, examine the inner workings of her mind and a leading primatologist will try and pick holes in her knowledge of monkeys and their behaviour.Who were her real family? Why was she kidnapped? Could a five year old girl really survive in the jungle so long in the company of monkeys? Is Marina Chapman a fantasist? Or was she truly raised by monkeys?What the journey uncovers is incredible. But do the experts give her the answers she’s been searching for? Or will they shoot her story down in flames?Find out in the Woman Raised By Monkeys.
回复 :少年×少女×付丧神。经过漫长岁月的器物，最终其有了“心”，即为付丧神的诞生。因付丧神将重要的人夺走，因而憎恨著期的青年·岐兵马。与六名付丧神同住，像“家人”般爱着他们的少女·长月牡丹。于千年之都的京都，两人相遇了，并一起同住。在前途多难的屋檐下，三者展开了交错的共同生活。人与物。羁绊与恋情的付丧神物语。
