性感美丽的洛昕（杨千嬅 饰）是一个小有名气的婚礼策划师，暴虐在她的妙手设计下，暴虐一桩桩独具特色的婚礼相继诞生。她见证了无数温馨浪漫的场面，然而自己的感情道路却颇多坎坷，甚至遭遇了婚礼之际未婚夫落跑的悲惨局面。种种打击让洛昕对所谓的真爱不再那么笃定。偶然机会，她重逢曾有过一夜情的男子风（林峯 饰）。由于债务等方面的原因，风被迫进入洛昕的公司“卖身还债”。二人珠联璧合，合作愉快，奉献出一场又一场的精彩婚礼策划，彼此间的感情也日益加深。当他们彼此放下心结之时，各种考验开始挡在他们的面前。洛昕的前男友Joe（葛民辉 饰）幡然回头，风也遇到一名可爱的女孩。他们的感情将何去何从……
回复 :癌症药研发专家冯伟峰（温兆伦 饰）继承了舅公的豪华别墅，带着母亲、妻女和舅公的老管家一起生活。但自从住进别墅，却发生了一些列匪夷所思的事情。妻子爱玲（杨斯 饰）经常深夜被诡异的声影惊醒，女儿佳佳离奇失踪。很快有人来电声称绑架了佳佳，一家人却不敢报警，只请朋友陈勇（贺刚 饰）帮忙调查。此时冯伟峰又接到匿名电话，有人要出重金购买他的新药配方，被他断然拒绝。陈勇深入调查后发现这个家庭里的每个人都有嫌疑，可谓是案中有案，迷雾重重。但最后的结果却完全出乎他所料……
回复 :阿Mike（吴彦祖 饰）出身警察之家，可惜父母早死，与舅舅住在一起，一直被当作多余的人。在警局做警察太过拼命，又成为同行的眼中钉。内心郁闷只有在警局locker一个人冲凉时才能缓解。一次任务中的意外让Mike受到处分，组长刘Sir让他放假。Mike在打游戏机的时候偶遇洪兴大哥任擎天（曾志伟 饰），二人结缘。随后在酒楼又偶遇任的妻子Pauline（关秀媚 饰），Mike被美丽的阿嫂吸引。刘Sir最终决定让Mike去做卧底，埋伏在任的身边，而一直郁郁不得志的Mike却自打着出人头地的如意算盘……
原味组合
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
