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回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
江山
回复 :这对情侣终成眷属，步入了婚姻的殿堂。安娜身着一袭蕾丝长裙，头戴新娘面纱，配以简约珠宝却尽显美丽。这对新人对彼此说出誓言，并举行了一场奢华且洋溢着幸福的婚礼。一架私人飞机已经准备好搭载他们二人飞往巴黎，来一场说走就走的极奢浪漫之旅。克里斯蒂安·格雷身边时刻有保镖跟随，安娜却不太明白这么做有什么必要。克里斯蒂安·格雷也没告诉她杰克一直在给他们制造麻烦。但在一个电话打来，通知有人在克里斯蒂安·格雷的办公室纵火时， 安娜立刻反应过来这可能是杰克所为。在看了监控录像后，他们更加确定了视频中的嫌疑人就是杰克，随即立刻返回了家中。当他们回到西雅图，安娜想要回到她编辑的岗位继续工作，然而克里斯蒂安·格雷却对这个想法持保留态度。他表示自己并不想让安娜继续工作，因为他很担心她的人身安全。杰克确实一直在寻找机会复仇，但克里斯蒂安·格雷好像在以此为借口阻止除自己外的任何人接触安娜。
回复 :水泉小学唯一的老师高老师因为家中有事，不得不暂时请假回家。村长不得不从隔壁的村子找来了一个十三四岁的女孩魏敏芝来代替高老师上课。高老师觉得她年纪小，可是无奈找人不容易，只好嘱咐魏敏之每天给他们抄课文，准确点清人数，一个都不能少。原本30多个学生，因为家里负担不起，所以只剩下了26个。学生都觉得这个老师太年轻了，没有老师的样子便开始欺负她，整个教室都乱哄哄的。张慧科家境贫穷，母亲又病卧在床，所以他不得不到城里打工挣钱。魏敏芝得知情况后，呼吁同学一起凑钱去找他回来。魏敏芝到达城里后，历经辛苦，在好心人的帮助下才找到了张慧科，而且这些山区的孩子得到了社会的很大关注。
