跟随格雷斯一家,超好他们搬进了祖居,揭开了关于他们的曾叔祖父的黑暗秘密,他发现了与他们平行的秘密精灵世界。
跟随格雷斯一家,超好他们搬进了祖居,揭开了关于他们的曾叔祖父的黑暗秘密,他发现了与他们平行的秘密精灵世界。
回复 :讲述的是以湘江战役为背景,由 演员傅程鹏饰演的红军小分队队长雷 五龙所率领的小分队执行敌后营救任 务的精彩故事。
回复 :该剧以 1984 年被称为世界上最严重的工业灾难的博帕尔毒气泄漏悲剧为背景,灵感来源于事件中的真实故事,被誉为 "一部关于勇气的惊心动魄的故事和对人性的礼赞"。该剧将展示这场灾难中的无名英雄--印度铁路员工--所做的努力,他们超越了自己的职责范围,努力挽救被困在无助城市中的数百名无辜市民的生命。演员包括 R Madhavan、Kay Kay Menon、Divyenndu 和 Babil Khan。至少有 3787 人在这起化学事故中丧生,数十万人暴露在致命气体中。有说法称,死亡人数实际上要高得多。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?