嗨!道奇第一季
地区:意大利
  类型:动物
  时间:2025-08-30 04:52:53
剧情简介

奇第非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的,这是他的处女作.以下地址有详细介绍和剧照:http://www.mitternachtskino.de/spiritsoftheair.htmLike a dream, some things can only be experienced to understandThis film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

624次播放
2872人已点赞
592人已收藏
明星主演
吴国敬
廉政勋
卫诗
最新评论(932+)

斯琴高丽

发表于7分钟前

回复 :马飞龙是马家雷拳第十九代传人,却因一次意外中,于街头众目睽睽下被一名女途人击倒,而大出洋相,一夜之间身败名裂,沦为「乜代宗师」。后来马飞龙从记者口中知道女途人大有来头,原来她是香港西洋拳坛传奇人物,曾经拥有四十场不败纪录的奇女子—陈真!


阿本

发表于5分钟前

回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.


袁惟仁

发表于4分钟前

回复 : In Cecil B. DeMille’s 1920 comedy Why Change Your Wife? Gloria Swanson (DeMille’s regular leading lady of this period) as Beth, a respectable and rather prim wife who discovers that husbands don’t necessarily want their wives to be respectable and moral. It’s not that he doesn’t love her; he just wants a little romance in his marriage, and when another woman comes along who off...


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