冷漠的面孔，不想行进的人群，不想那一抹抹红色点缀着布拉格街头的寒冷，让温暖流淌在匆忙的交错过往之间。车站自是离别伤感之所，身为道桥扳道员的父亲（Vladimír Javorský 饰）抱着儿子拉多（Ladislav Ondrej 饰）穿梭在离别的人群之中，看他们喜乐哀伤诀别亲人、诀别爱人、诀别曾留下足迹的城市。父子俩的生活简单质朴，幸福却从未因家庭的不完整而有半点缺失。儿子祈求第二天去父亲的工作场所，谁曾想这却是一个改变很多人一生的约定……本片荣获2003年棕榈泉国际短片电影节最佳影片奖、2003美国温馨电影展（HeartLand Film Festival）水晶心奖。
回复 :故事发生在充满了青葱气息的戏剧学院校园之中，张了了（戚薇饰）是名震全校的播音系系花，尽管身后随时都跟着一大串的追求者，但心高气傲的了了却从来不把他们放在眼里。戏文系的白亮（汪东城饰）尽管个性开朗长相英俊，但感情世界一片空白的他对于女性毫无经验，经常搞得自己面红耳赤手足无措。就是这样一个“小白鼠”，竟然喜欢上了追求难度之高人尽皆知的张了了，为了能够获得“女神”的芳心，白亮会使出怎样的招数呢？刚开始，张了了也没把白亮放在心上，但随着时间的推移，白亮善良正直的个性和善解人意的性格渐渐吸引了她，一对有情人终成眷属。
回复 :Every year, 310 killings in France go unsolved, leaving the victims' crushed families in a state of endless grief. The French judicial system is implacable: there's no money to continue investigating cases that lead nowhere. Hunting down murderers to help bereaved families get justice is more than just a job, it's a duty for Thomas Bareski, a retired, hotshot police detective. A wandering, footloose, nature-loving soul who lives out of his van, Thomas Bareski isn't just a one-of-kind man, he's also an extraordinary police officer who's ready to upend his way of life to fulfill his mission.
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
