农场少年强纳斯（乔许威金斯 饰演）遇见了新搬来的邻居凯西（苏菲奈里斯 饰演)，中文字暮综合年少轻狂的他们迅速坠入爱河。但初恋总是带给人们疼痛，中文字暮综合强纳斯意外发现凯西担任地方警察的父亲韦恩（比尔派斯顿 饰演) 不但贪污、渎职，还会干些违法勾当，甚至杀人毫不手软。一心想保护凯西的强纳斯，于是偷了韦恩一袋来路不明的钱，只想著要带心爱的女孩去到安全的地方。然而他没想到的是，那袋疑点重重的钱，加上残暴的韦恩，还有其他同样利欲薰心的黑警察，会为这对小情侣们带来致命危险。
陈鹏
回复 :杜立德的女儿玛雅·杜立德已经长大成人，到了青春期，母亲将她送往道奇农场渡过夏天，在农场里遇到了许多新的伙伴，他们从互相排挤到最后相互帮助并共同努力在比赛中胜过了银矩农场，当然其中还要多亏了玛雅的动物伙伴们。
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
回复 :这部电影就是杰昆·菲尼克斯生活中看起来无序混乱一年的素描。它以一个不同寻常的时刻勾起了我们的回忆，即杰昆提名奥斯卡后，在2008年秋天宣布他退休拉开了这部特别的纪录片的序幕。他作为一个成功的电影演员的生涯宣告结束，而他继续以一个说唱歌手的形象演绎自己的人生，制造充满争 议的话题。这部电影反映了一个处于人生十字路口的艺术家的抉择，以及他探寻自己勇气与创造力的过程，当然，也包括这个过程中，反映到公众眼中的一个个真实的片段。
