剧情简介
故事讲述了一对都市男女蒋天笑与张小白意外相遇之后的情爱纠葛。张小白是一个非常善良乐观，久久将周围事物想象的很美好的女孩子，久久她的前男友赵俊利用她的设计稿得到大奖，她也不会去争，在她眼里只要对她好，帮助过她的人都是自己的贵人。她的善良之心打动了找寻设计稿原创作者的蒋天笑，让原本不相信人性的蒋天笑慢慢改变，也让他抛弃旧念，原谅了自己的父亲。蒋天笑与张小白两人在朝夕相处之中互生爱意，经历了一番波折后最终有情人终成眷属。
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故事讲述了一对都市男女蒋天笑与张小白意外相遇之后的情爱纠葛。张小白是一个非常善良乐观，久久将周围事物想象的很美好的女孩子，久久她的前男友赵俊利用她的设计稿得到大奖，她也不会去争，在她眼里只要对她好，帮助过她的人都是自己的贵人。她的善良之心打动了找寻设计稿原创作者的蒋天笑，让原本不相信人性的蒋天笑慢慢改变，也让他抛弃旧念，原谅了自己的父亲。蒋天笑与张小白两人在朝夕相处之中互生爱意，经历了一番波折后最终有情人终成眷属。
周雨植
回复 :东北澡堂老板崔大炮，相亲途中意外捡了个儿子回家，不仅脱单无望，还要替别人养儿子。好兄弟二龙和涛子仗义相助，热心帮大炮一起带娃，三个“糙汉子”稀里糊涂变成了单身奶爸，跟古灵精怪的熊孩子马豆豆斗智斗勇，一边养娃一边搞事业。在现实的重重矛盾下，三兄弟之间产生了一些嫌隙，心怀愧疚的豆豆决定悄悄离开，独自去寻找亲生父亲马大志........
回复 :少女葛利叶（斯嘉丽•约翰逊 Scarlett Johansson 饰）家境贫寒，于是来到画家维梅尔（科林•费尔斯 Colin Firth 饰）家做女佣。维梅尔和妻子、岳母一起生活，她们常常摆出颐指气使的神情，妻子对正当青春的葛利叶更是戒心重重。在非常苛刻和压抑的氛围下，葛利叶在维梅尔家过得卑躬屈膝。维梅尔的画带给了她一点生活的乐趣。她收拾主人画室的时候，流露出了对艺术的天分。她跟维梅尔谈论对画的理解，二人的交心让彼此的情意慢慢滋长。葛利叶知道不可能与维梅尔修得正果，但她愿意做模特奉献给维梅尔作画。她默默地，忍受着维梅尔给她的耳朵打上洞，戴上他妻子的珍珠耳环，画出这一刻的窒息的美丽。
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
