僷视频
地区:法国
  类型:教育
  时间:2025-07-16 23:51:14
剧情简介

僷视Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend.77mi.cc The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.

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明星主演
马宜中
张殿菲
张俊天
最新评论(554+)

玛丽娅

发表于7分钟前

回复 :故事发生在一间巨大阴森的庄园之中,鲍迪先生(Lee Ving 饰)是庄园的主人,他邀请了六位客人来到他的庄园做客,他们是普朗姆教授(克里斯托弗·洛伊德 Christopher Lloyd 饰)、格林先生(迈克尔·麦基恩 Michael McKean 饰)、皮考克太太(艾琳·布伦南 Eileen Brennan 饰)、怀特夫人(玛德莲·卡恩 Madeline Kahn 饰)和马斯塔德上校(马丁·穆尔 Martin Mull 饰)。正当六人在大厅中齐聚一堂之时,灯光突然熄灭了,而当光明再度来领之时,在他们眼前出现的,居然是庄园主人鲍迪先生的尸体,这也就意味着,在这间庄园之中,隐藏了一个冷酷血腥的杀手。六位客人联起手来,试图找出这名杀手,而在此过程中,又不断的有人被害。真正的凶手究竟藏在哪里?


牧仁

发表于5分钟前

回复 :1913年的巴黎,可可·香奈儿(安娜·莫格拉莉丝AnnaMouglalis饰)在俄国作曲家伊戈尔·斯特拉文斯基(麦德斯·米科尔森MadsMikkelsen饰)的《春之祭》首演中首次注意到了这位被观众的嘘声与喧哗沉重打击的音乐天才。七年后,二人再次相遇,可可慷慨邀请因俄国革命而流亡法国的伊戈尔携乐评人妻子卡特琳娜(伊莲娜·莫罗佐娃YelenaMorozova饰)和四名子女搬入自己在巴黎郊外的府邸。随着时间的流逝,可可与伊戈尔之间愈发相互吸引。与此同时,可可也在积极研发自己品牌的香水。病中的卡特琳娜还是察觉了自己丈夫对可可的激情,三人的关系变得越来越紧张……


布莱恩亚当斯

发表于8分钟前

回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.


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