陆瑶
发表于4分钟前回复 :大学时期,宋倩(朴韩星饰)与娜娜(辛芷蕾饰)、羽菲(李昕岳饰)、游峰(张皓然饰)、宏瑞(杨帆饰)、杨铮(孙绍龙饰)几个人是非常要好的朋友。直到认识了新生小艾(章婷婷饰)。漂亮的小艾让本来亲密无间的小团体产生了裂痕。特别是娜娜,处处针对她,只有宋倩努力维系着大家的关系。渐渐开始有不好的传言在学校漫延——小艾一直被视为邪恶的化身,所有与她接触的人都会有厄运。很快宏瑞发生意外摔伤腿,错过一场重要比赛。宋倩几个人在学校的屋顶阁楼玩起笔仙,结果笔仙也验证了小艾的不详,当晚小艾便跳楼自杀了。大学毕业后,宋倩和她的同学们事业都发展很顺利,有的成了大明星,有的成为了企业精英,而直到娜娜从美国回来,怪事接二连三的发生,每个人都开始遇到危险,谜底一层层揭开,原来大学时代小艾的死,是另有原因…bbb
倪琳
发表于3分钟前回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
金泰宇
发表于7分钟前回复 :拜金主义者万金成在“赌城”拉斯维加斯经营一家神秘的万事屋。传说他藏有印第安一族自远古传承的通灵权杖,具有控制人心的能力。金融巨子上官静找到万金成,委托他救出被暴发户董歌球软禁的千金小姐沈小妍。万金成救出沈小妍后,却发现这个富家小姐其实是个奇葩少女,还患有严重的选择困难症。二人在纠缠的过程中意外触发灵魂权杖导致灵魂互换。身份,经历的不同导致万金成和沈小妍互相看不顺眼。不过两人在互相适应对方身体的过程中,却慢慢卸下伪装,触碰到了对方的心底。期间虽笑料百出,但两人却暗生情愫。就在沈小妍意识到自己开始喜欢上万金成之时,万金成却被神秘女子Lucy绑架。小妍决定孤身犯险,从董歌球手中解救被绑的万金成和上官静。关键时刻上官静携Lucy出现,原来这一切都是上官静的圈套,他一直计划着迎娶小妍,吞并小妍家产;以及夺取灵魂权杖,将控制人心的能力占为己有。上官静以万金成威胁小妍就范,无奈小妍只得装作被上官静控制,强忍悲伤放弃万金成。万金成在经历内心的煎熬后,终於意识到真爱远比金钱重要,遂决定于二人婚礼之时,抢回小妍。经过一番斗智斗勇,就在上官静丧心病狂的想要对万金成开枪之时,金成小妍再次合力触发灵魂权杖,将上官静的黑暗面人格成功净化。有情人终成眷属,两人重新共同经营万事屋。