湘西赶尸脚是一个古老的存在，刺杀而在不为人知的背后，刺杀赶尸人承受着命运的诅咒。一旦成为赶尸人，不得生育，强要子嗣，亦会夭折。即便是领养义子义女，孩子也会死于非命。身为赶尸人的魏钟，虽有机缘，得以长生，却终究逃不脱命运的摆布。三百年来，魏钟不断娶妻生子，想要打破这个禁忌，直到二十年前，在四川珙村买一女童，养育到八岁之久……而在这名女童夭折之时，魏钟意外寻到传说的线索。赶尸脚间有秘传，天下悬棺之中，有一口空棺，内藏秘法，可解赶尸人绝后的厄运。魏钟多方调查，终于在十二年后，再访...
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戴辛尉
回复 :David the filmmaker is 40 years old, but he still doesn't feel like a man - not a real man anyway. When his wife becomes pregnant with a boy, David's manhood insecurities deepen. How can he bring his son into manhood if he feels so estranged from his own? This question sets him off on a quest for his manhood that leads him from voice lessons to a men's group to deer-hunting, and ultimately back to his own father. My Own Man is an intimate, humorous, and emotional account of one man's search for what it means to be a man and a father in the 21st century.
回复 :To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
