影片讲述了4名知识青年的人生经历。民族音乐专家纪光明受邀回到爱恨20多年的县城,春暖在收集花灯资料过程中巧遇知青时代的恋人徐静茹的女儿——王明静,春暖由此引出20年前上山下乡的回忆……
影片讲述了4名知识青年的人生经历。民族音乐专家纪光明受邀回到爱恨20多年的县城,春暖在收集花灯资料过程中巧遇知青时代的恋人徐静茹的女儿——王明静,春暖由此引出20年前上山下乡的回忆……
回复 :十四岁的少女齐藤明莉(福田麻由子 饰)收养了一只可爱的小狗,在妈妈的建议下她给小狗取名为“索克斯”,并和小狗定下“十个约定”。不久,妈妈去世,而身为医生的爸爸忙于工作,无暇多照顾明莉,“索克斯”便成为明莉最忠实的玩伴。明莉在学校还有个梦想成为演奏家的朋友星进,当明莉因为爸爸工作调动搬家时,“索克斯”便寄养在星进家。可是星进(佐藤祥太 饰)要去国外留学时,爸爸却因为急诊没有按时送他,明莉没能见到星进最后一面。为了弥补对女儿长期以来的亏欠,爸爸决定辞职开起了小诊所,“一家三口”又重新生活在了一起。长大后的明莉开始了忙碌的生活,陪伴“索克斯”和爸爸的时间也越来越少。后来明莉(田中丽奈 饰)又遇见学成归来的星进(加濑亮 饰),两人还成为相爱的恋人。很快,距离初遇索克斯已过去十年,“索克斯”也走到了生命的尽头,这时,明莉又想起了当初与“索克斯”的十个约定……©豆瓣
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :多年前在地震中失去了妻儿的沙基布,是一个无家可归的工人。几年前,一位聋哑妇女拉丹走进他的生活中,让他慢慢从阴影中走了出来。沙基布现在工作所在的建筑工地是一部电影的取景地。为了参演这部电影,他不顾一切代价寻求机会并得到了一个角色。拉丹知道这件事后,来到了沙基布的工作场所乞求庇护。然而,拉丹的到来却很可能毁掉他这个千载难逢的机会……